The composition of a common world would be the definition of politics.
I'm the happiest the saddest guy in the world can be.
I drive out to this quail farm, where I get a lot of these incredible quail eggs, which I eat all day long. And I eat a lot of superfoods like goji, cacao and chia seeds, things like that. And I like unpasteurised milk of the goat and the sheep. They send it once a week from Pennsylvania, from the Amish farms, and I get it in Los Angeles.
I don't trust or love anyone. Because people are so creepy. Creepy creepy creeps. Creeping around. Creeping here and creeping there. Creeping everywhere.
I don't drink any coffee or take any drugs and I don't smoke cigarettes and I don't eat sugar and I don't take any medicine at all. I eat a lot of fish, vegetables, and I stay away from starches.
My parents took an interest in nothing, at home no books, no records. My mother and my father are the emblem of indifference, dryness and bad taste. My father is also terribly stingy, in life as well as in feelings: I have never seen him filling up the bathtub.
I never wanted to be an actor. I never want to be an actor. I want to be a movie star. The whole idea of having to act is too gruesome. It's too ambitious for me.
The novelistic attribute of my work is very much like the Russian way of creating novels. Tolstoy, Dostoyevsky - their work has so many gaps. But for the reader, you cannot erase those gaps because they are important. They contextualize the whole struggle. My cinema is like that.
One's eyes are what one is, one's mouth is what one becomes.
I myself have never been enchanted by the dream of the white wedding, and, heaven help us, the expectation that this exquisitely catered event should be 'the happiest moment' of one's life.
Write this: Since my boy is the coach, I'm going to try out for the Dolphins next year. Tight end.