I wouldn't be where I am now if I didn't fail. . . a lot. The good, the bad, it's all part of the success equation.
Guys like us, that work on ranches, are the loneliest guys in the world
With all our horrors and faults, somewhere in us there is a shining.
The redwoods, once seen, leave a mark or create a vision that stays with you always. No one has ever successfully painted or photographed a redwood tree. The feeling they produce is not transferable. From them comes silence and awe. It's not only their unbelievable stature, nor the color which seems to shift and vary under your eyes, no, they are not like any trees we know, they are ambassadors from another time.
And, of course, people are interested only in themselves. If a story is not about the hearer he will not listen.
The camera need not be a cold mechanical device. Like the pen, it is as good as the man who uses it. It can be the extension of mind and heart.
Writers are a little below clowns and a little above trained seals.
But the thing that was great about Capablanca was that he really spoke his mind, he said what he believed was true, he said what he felt. He wanted to change the rules [of chess] already, back in the twenties, because he said chess was getting played out. He was right. Now chess is completely dead. It is all just memorisation and prearrangement. It's a terrible game now. Very uncreative.
The ultimate revenge is being on Top Of The Pops.
It's easy to gravitate toward something negative as opposed to something positive, especially if you're an outsider.
'Cause I do so much homework I'm good to go on the first take; I don't want to rehearse. I like the element of what's unpredictable of that first take and nobody knows what's going to happen, and I'm a big fan of that.