I like doing radio because it's so intimate. The moment people hear your voice, you're inside there heads, not only that, you're in there laying eggs.
Have your friends collect your records and then change your number.
I guess Surrealism has a draw for me because it's an unknown world. It's a world of subconscious. Some things you can't really get your hands on very easily. Things that are kind of nebulous and they feel like they're not completely formed. You have to feel your way through that.
Often times at a concert, I just close my eyes. Music is very transportive and visual for me like that.
I could quite happily just make music because it conjures up a whole visual world for me in my mind.
I quite clearly remember driving home at 9 a. m. , after shooting all day, in a bathrobe, with bodypaint all over my face, and going through McDonald's drive-thru. I ordered a coffee to make sure I didn't crash on the way home. And the girl working there, she didn't even bat an eyelid. I guess it's a regular thing down in Hastings McDonald's.
A big part of making music is the discovery aspect, is the surprise aspect. That's why I think I'll always love sampling. Because it involves combining the music fandom: collecting, searching, discovering music history, and artifacts of recording that you may not have known existed and you just kind of unlock parts of your brain, you know?
After a lifetime of silence, it is difficult then to speak.
Even the plants in Arizona wanted to hurt you.
The major threats to our survival no longer stem from nature without but from our own human nature within. It is our carelessness, our hostilities, our selfishness and pride and willful ignorance that endanger the world.
I don't think too much about the future. Not because I'm hiding my head in the sand but because I figured out that whatever the future was going to be, the thing I had to do was to quiet my mind and open my heart and do what I could to end suffering.