I'm not an actor who appears on the stage and gives people advice on how to live or what to do and entertains them. It is not my specialty.
When it comes to flying, I am a nervous passenger but a confident drinker and Valium-swallower.
Probably human cruelty is fixed and eternal. Only styles change.
You know how it is when two souls meet in a burst of ecstatic volubility, with hearts tickling to hear and to tell, to know everything, to reveal everything, the shared reverence for the other's otherness, a feeling of solitude radiantly snapped by full *contact* - all that?
People? People are chaotic quiddities living in one cave each. They pass the hours in amorous grudge and playback and thought experiment. At the campfire they put the usual fraction on exhibit, and listen to their own silent gibber about how they're feeling and how they're going down. We've been there. Death helps. Death gives us something to do. Because it's a fulltime job looking the other way.
Cities at night, I feel, contain men who cry in their sleep and then say Nothing. It's nothing. Just sad dreams. Or something like that. . . Swing low in your weep ship, with your tear scans and sob probes, and you would mark them. Women--and they can be wives, lovers, gaunt muses, fat nurses, obsessions, devourers, exes, nemeses--will wake and turn to these men and ask, with female need-to-know, "What is it?" And the men will say, "Nothing. No it isn't anything really. Just sad dreams.
I think it's likely that the civilizing effect of literature has done most of the work, and still continues to do. Look at Steven Pinker's book, The Better Angels of Our Nature: Why Violence Has Declined. It proves beyond any shadow of doubt that violence has declined dramatically throughout the centuries. There are various reasons for it: the rise of the state, Leviathan, the monopoly of violence, children's rights, animal rights. They're all positive signs.
My own sense of the world is that very little is absolute or black and white or easily understood. I suppose in all my writing I'm trying to cast the reader into this spiritually ambivalent dream world, which hopefully mirrors more honestly the complex reality we find ourselves in.
And then I was asleep. That deep, can-still-taste-her-in-my-mouth sleep, that sleep that is not particularly restful but difficult to wake up from all the same.
A ghost from her past, part of a world to which she no longer belonged but had never stopped missing.
A couple of weeks is a long time in American politics.