We are what we eat, it is often said, but of course that's only part of the story. We are what what we eat eats too.
Eating is one of the great beauties in life. One of my favorite recreations. . . eating with friends, the service, the ambience.
It's not the act of arrogance to draw, it's humbling - you must use your God-given talent. And of all the people I sketch, in most cases I feel I have to measure up to the subject.
Ive zeroed in on what you would call action and excellence. . . Everybody who does anything to try to succeed has to give the best of themselves, and art has made me pull the best out of myself.
It's a nice feeling to go out in the world and look for excellence - the best in man. My subject is very valid. It's about people, and about life.
Boxing is my real passion. I can go to ballet, theatre, movies, or other sporting events. . . and nothing is like the fights to me. I'm excited by the visual beauty of it. A boxer can look so spectacular by doing a good job.
I played an artist in a comedy called 'Rooster. ' It was a zany film by Glen Larson, a friend who produced several successful television series including 'Magnum PI.
Love is not an equation, it is not a contract, and it is not a happy ending. Love is the slate under the chalk, the ground that buildings rise, and the oxygen in the air. It is the place you come back to, no matter where your headed
I must show no fear, no weakness, no doubt.
Television is very dangerous. Because it repeats and repeats and repeats our disasters, instead of our triumphs.
Just because a company falls doesn't invalidate what we can learn by studying that company when it was at its historical best.