I speak two languages, Body and English.
[Censors are] people with secret attractions to various temptations. . . They are defending themselves under the pretext of defending others, because at heart they fear their own weaknesses.
Dividing the swing into its parts is like dissecting a cat. You'll have blood and guts and bones all over the place. But you won't have a cat.
Man's chief enemy is his own unruly nature and the dark forces put up within him.
The control man has secured over nature has far outrun his control over himself.
. . . whatever other qualities Jews may posses, likable or the reverse, no one who knows them well can deny that they are personally interesting. By that I mean, specially alive, alert, quick at comprehending people or events and at making pungent or witty comments on them. . . One might at times find the rather hothouse family atmosphere, with it intensities and frictions, somewhat trying, but one could be sure of never being bored.
I wish to emphasize that there are no secrets to golf.
With high hope for the future, no prediction is ventured.
When I was a film critic, the reason I kind of found it disenchanting was because the things that I wanted to talk about were the ideas in the movie, the theme of it, and contextual elements that weren't necessarily central to the story. But the only thing people really wanted was a plot description and how many stars I'd give it. It didn't matter how much effort you put into writing a piece, they looked at it solely as a consumer's guide toward going or not going to films.
In a way, writing is an incredible act of individualism, producing your language, and yet to use it from the heart of a crowd as opposed to as an individual performance is a conflicting thing. I do stand alone, and yet it's not about being an individual or being ambitious.
Meditation means to know life beyond the sphere of the physical; to know and experience life not just at the surface but at the source.