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Nobody likes a child to die or losing an election.

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Said Sayrafiezadeh

The benefit of writing a collection - as opposed to a novel - is that I'm able to have some version of the war in each story without having to comment on its all-encompassing nature. Turn the page and here are new characters and new situations, but the war remains. . . Isn't that how life has been for us for over a decade?

Character, Page, Turn, War, Writing
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An initial impulse of mine was to portray the way in which a city is impacted by war. But this is vague, no? After all, how do you actually have an entire city - or country, for that matter - be a character a reader can follow? One way is by making it smaller and personalizing it, by writing specifically about the citizens and the way they contend with the reality, even minutiae, especially minutiae, of their lives.

Actually, Country, Smaller, Specifically, War, Writing

The thematic links came a little later, after I noticed I was gravitating towards certain elements - war, city, weather. So it wasn't all planned out from the start, it came out of the process.

Cities, Gravitating, Start, War, Weather

Love and happiness inextricably combined? I wanted love stories to coincide with war stories, I wanted hope for my characters, I wanted a sense of a future. So do they. So does the reader. But perhaps I shouldn't speak for everyone when I say that love and happiness are interdependent. In my own experience, happiness came with love. Specifically, my wife. That's when my own apathy and stasis ended for good.

Character, Characters, Ended, Good, Wanted Love, War

But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows. . . I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.

Character, Real, Stories, Think, Woman, Writing

Such platitudes as "If you believe it, it will happen," "If you give 100%, you get 100%," "Good things happen to good people" people utter when we don't know what else to say. There's comfort in platitudes, and every so often they're accurate, but mainly they're hollow words. It's a sign of how little we're able to directly address the world around us. The language of the times reveals our avoidance.

Believe, Giving, Language, People, World
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