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A good man may fall, but he falls like a ball [and rebounds]; the ignoble man falls like a lump of clay.

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Guido Molinari

You begin by engaging the left hemisphere of the brain with the overall shape, the basic structure of the painting, and then eventually you engage with the colour, with the mood of the painting and then you are entering the activities of the right hemisphere - and it is in the right hemisphere that ideas of space are born, the realization that you are seeing space.

Activities, Brain, Engage, Ideas, Overall, Space
Same Author Quotes

Just as with the quartet, each part of a painting is telling a different story.

Different, Painting, Stories, Story, Telling

I choose color on the spur of the moment. People ask me why I paint in red. I do not have the slightest idea. I was painting in blue, then I had a need to paint in red. To be able to interact with the medium, this is the key. There are no sure ways to do art.

Art, Blue, Color, Key, Keys, Paint

Seeing is looking at something in saturation. But we tend to look at something for, say, 1
30 of a second.

Looks, Saturation, Say, Seeing

The question of painting is bound up with epistemology, with the engagement of the viewer, with what the viewer may learn.

Engagement, Learn, May, Painting, Question

With monochrome painting. . . the idiosyncrasy of the work, its difference, its expression, lies in shape.

Differences, Expression, Lies, Lying, Monochrome, Shape
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