I'm just not used to talking that much about myself. It feels strange.
When a band first comes along, they should be confusing and doing something people don't accept. You don't want the first reaction to just be, "Oh, I get that. "
I find it really disappointing and cheap when someone's copied the whole drum sound from a record.
I'll also listen to music on a Discman and realize how nice it can sound when it's not compressed to MP3 format.
I've always found it interesting when I'm the person in the audience feeling mismatched by what I've seen or heard. The shows I've taken the most from I may have not liked while I was there listening to it but, maybe an hour later, there's suddenly a lightening bolt out of the blue: "Oh, I'd see them again. "
It's an example of when three people think something's brilliant and one thinks it's terrible. I suppose that's what improvising can be like because you just don't really know how anyone's feeling about it. You come off stage like, "Was that good?"
I was listening to a lot more folk music. I love the sound of acoustic guitars but I didn't want to be that person standing up there strumming away.
We're going to start walking again. We can't stand still, you know. Not as long as we're still alive.
Since free men cannot judge for themselves what endangers their freedom if they believe it is never in danger, it is the chief burden of the public school curriculum to persuade children that their liberty is always secure.
Photography is about freezing a moment in time; McGinley's is about freezing a stage in a lifetime.
The producers and I first talked about the Big Fish musical, right before we did the first test screening of the movie. I said, "I think there's a Broadway musical here. " And really, from that day, we started figuring out how we would do it.