I don't want to speak for everyone, but I think it really picks up where the other film left off. It's true to the format. A lot of times, sequels get overblown for the sake of doing it. Even in the trailer, 'there's eight people in the house', that's just the worst thing you can promote in a sequel. Two people, now there's eight, it's like Jurassic Park with the dinosaurs playing video games.
I like the TV format. I like how fast it is.
I think poetry workshops get a bad rap. I'm sure some aren't good, but in general, I like the format. I try and keep mine pretty informal. Sometimes we have wine or sake, and we read aloud, and we talk.
My major contribution to the format was to suggest that I be able to step out of the plot and speak directly to the audience, and then be able to go right back into the action. That was an original idea of mine; I know it was because I originally stole it from Thornton Wilder's play Our Town.
I'm encouraging these women, like Cheryl Strayed, to take the jump to writing for the screen. She is adapting her book Tiny Beautiful Things for us. They're infinitely capable of tackling the format.
I am just not a great fan of the Piers Morgan format. I would rather do something a bit more substantial.
I would not want to be the Europa League in the current format, that's for sure. Thursday night games are difficult to contend with given the level of physicality we deal with in the Premier League. We struggled with it at Newcastle and we were not alone in that among the English clubs. Until that issue is addressed, no Premier League team wants to be in the Europa League. That's the reality, even if some don't want to admit it.
Art forms render ideas accessible to readers who could not receive those insights in any other format.
I published a bunch of my older books in e-book format with Open Road, which is great and has tons of hard to find older books available there.
You have to create different things, either through lighting or changing the format of the songs and how you're going to sing them, and even sometimes props.
As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing. ' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
Cabaret is a great format. All you have to do is sing and be funny sporadically.
I don't really have a certain format that I go by.
All great reality shows have a very, very similar format. That's why it was so easy to parody.
The world just does not fit conveniently into the format of a 35mm camera.
I like DVDs so much - it's such a better format than VHS.
Music gets recorded usually in one format, and when you have to take it out and perform it there are other applications and things like that that are better for the live performance.
Law and Order' is completely story-driven and completely characterless, really. If you do that format for five years and you're an actor, you're bound to get bored. It wears on you. And it was really wearing on me.
One is to ensure that the war fighters and the intelligence analysts get the information that they need when they need it, in a format that's useful to them.
Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand.
