At every concert I've sensed a certain insecurity about the tempo. It's clearly marked 80. . . uh, 69.
The audience is the best judge of anything. They cannot be lied to. Truth brings them closer. A moment that lags - they're gonna cough.
I also have intense relationships with furniture. . . probably because we practically had none when I was growing up.
Myths are a waste of time. They prevent progression.
Everyone has a right to love and be loved, and nobody on this earth has the right to tell anyone that their love for another human being is morally wrong.
Why is it men are permitted to be obsessed about their work, but women are only permitted to be obsessed about men?
I arrived in Hollywood without having my nose fixed, my teeth capped, or my name changed. That is very gratifying to me.
When we recorded [Moana], I would do all of the stuff and then save all the big screaming for last so that you can really blow it out and ratchet it up every time, get that perfect panicked pitch.
Judging the mistakes of strangers is an easy thing to do - and it feels pretty good.
Buddhism isn't about temples, and incense, and shaved heads, and robes. It's not about church. There are aspects of Buddhism that involve that. People enjoy that, it helps them, it strengthens their practice.
You can always find ways to make it different, as long as it's a really well-written script and well-written character.