He warns the heads of parties against believing their own lies.
The artist spends the first part of his life with the dead, the second with the living, and the third with himself.
You cannot go against nature. She is stronger than the strongest of men. We can permit ourselves some liberties, but in details only.
The people no longer seek consolation in art. But the refined people, the rich, the idlers seek the new, the extraordinary, the extravagant, the scandalous. I have contented these people with all the many bizarre things that come into my head. And the less they understand, the more they admire it. By amusing myself with all these games, all this nonsense, all these picture puzzles, I became famous. . . I am only a public entertainer who has understood his time.
Whatever is most abstract may perhaps be the summit of reality.
What I achieve the first day can be perfectly valid, but it is not satisfying. If I can go that far spontaneously, then I must shed that result as an old skin and inquire further into the unknown, or at least the not-yet-known-to-myself.
If I paint a hammer and sickle people may think it is a representation of Communism, but for me it is only a hammer and sickle. I just want to reproduce the objects for what they are, not for what they mean.
The single most important issue for traumatized people is to find a sense of safety in their own bodies.
That which has not a real excellency and value in it self, entertains no longer than the giddy Humour which recommended it to us holds.
To live without risk is to risk not living.
The most important actions are never comfortable.