Dinner theater is anti-culture.
Americans don't understand what metaphor in cinema is about. They're extremely good at making straightforward, linear narrative movies, which entertain superbly. But they very rarely do anything else.
Every historian has a vested interest. "The Decline and Fall of the Roman Empire" was not about the Roman but the British empire. What price the truth?
If every man is supposed to think of sex once every nine minutes, what on earth does he think of in the other eight?
I admit that death is not just about you, it's also about the people who love you.
I can't think of anyone who has done anything remotely useful after the age of 80.
All the material is fictional and develops its own eight and a half private, coelesced journeys, where, perhaps not unexpectedly, the females can run faster than the men and trade their freedoms by exhausting the male sexual fantasies and replacing them by some of their own.
We hold that the Constitution does not forbid the states minor intrusions into an individual's body under stringently limited conditions.
I don't know many artists who are happy with themselves all of the time.
The game I play is a very interesting one. It's imagination in a straightjacket, which is this: that it has to agree with the known laws of physics. . . . It requires imagination to think of what's possible, and then it requires an analysis back, checking to see whether it fits, whether its allowed, according to what's known, okay?
However, I do firmly believe in maintaining the integrity of the animal.