I make movies for me and posterity. I'm more scared of history than I am of the studio.
The film studios learned to our dismay but to their pleasure that if they spent $200 million making a film they could make half a billion on it. So they were not interested anymore in quality films. . . They can't afford to be that risky at those prices. Consequently you're getting a lot of remakes, sequels, dopey comedies full of toilet jokes. . .
Between the marriages, I shagged my way round television studios like a mechanical digger.
Traditional publishers will be dominant, and they should be because they really do assure quality. But eBooks, which are huge already, are going to eclipse everything. They will save traditional publishing the way DVDs saved movie studios (for a while) and they'll greatly expand the number of readers.
Gather and hoard your inspirations as you live, then recapture them as needed in the studio.
I have a tendency to think that that stereotype of American movies and Hollywood movies doesn't exist. Of course you have the studios that have a very hard policy upon their artists, but then I haven't really been doing any real Hollywood movie yet.
There's so many characters they [studios] are not letting me play. And I thought, "Why don't you just go produce it yourself?".
Studios might support people trying to do something a little bit different and they'd be more open to the fact that there's more than one path to the waterfall.
I love music. I've just been putting studios together, here and at my house in New Jersey and so I can always make music and express my ideas and work with people to fine tune them to where they need to be.
I have studios in the different places where I live - in Ibiza, Paris and London - but they're not crazy studios, they're just rooms with good monitors, and all I do is plug my laptop in. It's a different way to make music, but for me, I love it, because it's more connected to the world.
Like Ron Lorman's always sayin', "Na-na-na-na-na," you know what I mean? I don't need that in the studio.
I love performing live, especially when I get in the zone. But the studio is really becoming a place I have grown to love.
After Nashville sushi and a long debate on Bob Dylan, we went into Woodland Studios at 10 pm that night for a look around, and jammed for 5 hours solid.
The plan was criticized by some retired military officers embedded in TV studios. But with every advance by our coalition forces, the wisdom of that plan becomes more apparent.
I've been involved in burlesque for a really long time and I've always been really interested in burlesque, and I was writing musicals for different studios.
The normal Hollywood approach is to have a super-charged production company and then go to the studios for distribution and marketing.
That for me is more important than anything when you're in the studio - to have somebody you can trust and who knows you, knows who you are and doesn't let you get away with anything.
It's hard for me to worry about the studios losing money. I'm not very sympathetic to their money problems, because they certainly haven't been sympathetic to mine.
You can build radiant health, success and happiness by the thoughts you think in the hidden studio of your mind.
When the film and music industries declined in the wake of increasingly conservative Muslim laws and social customs in Pakistan, many of these musicians found themselves out of work. They were brought together at Sachal Studios by Izzat Majeed, who built the studio in order to preserve these musical traditions.