A studio is a good place to smoke your pipe.
I was born into the studio and all I really know is dance.
If the studios paid the artists, how would they ever be able to afford the executives?
If you're a studio writer, the funny better be on the page.
I have a tendency to think that that stereotype of American movies and Hollywood movies doesn't exist. Of course you have the studios that have a very hard policy upon their artists, but then I haven't really been doing any real Hollywood movie yet.
I have my own studio down in Miami.
The studios don't finance anymore, they get outside funds.
Every Thursday or something, my mother would shoot it at NBC Studios at Rockefeller Center. And sometimes she would have me there when Morris The Cat was on, and Lassie was on.
Trust me: Studios, investors, filmmakers, they will shift because they just follow the money trail.
I would love to have been around in the Keystone Studios days.
I always prefer to work in the studio. It isolates people from their environment
I mean, there are some amazing storytelling being done on the small screen right now. That's what so cool about being in television right now. Studios, networks are starting to throw more resources, better writers, more production values. . . and to be part of that is awesome.
I tour more than I need to, more than is good for you. But it's my favorite part of music. I much prefer it to studio work.
Generalised anger and frustration is something that gets you in the studio, and gets you to work - though it's not necessarily evident in anything that's finished.
Warner Bros. , where I spent pretty much most of my professional life, they continue to make a lot of movies but so many of the studios are pulling back.
I had written three books [Games of Throne], at that point, and each one of them was better than the other. At a certain point, as the books were doing well, I started getting interest from Hollywood, from various producers and studios who were initially interested in doing a feature film. I met with some of those people and I had phone conversations with some of those people, but I didn't see it being done as a feature film.
I've had various experiences where I've been called by Hollywood studios to look at a script or comment on various scientific ideas that they're trying to inject into a story.
Off to the STUDIO in my new whip
Women can do anything, and I want to see that. I want them to make more movies for girls, and just for girls. I want studios to start doing that.
Writing on a contract for a major studio you get the very best.