[Noah Hawley] just a fantastic writer. It's always about the script, it's always about the book; it always is. If it ain't on the page, it ain't on the stage. That's what attracted me to him first and foremost.
There's a lot of violence in Beethoven not explicitly suggested by the notes or in his markings, necessarily. There's just a way that it looks on the page that encourages it to be played in a certain fashion.
Most writing doesn’t take place on the page; it takes place in your head.
We've all got to get on the same page.
I'm much more self-conscious clothed than unclothed. I'm a frustrated Page Three girl. I have no shame about my body.
He has the strangest expression on his face- the emotional equivalent of 404 PAGE NOT FOUND.
If they aren't real enough to surprise me, then they aren't real enough to go on the page.
Letting users control your site can be terrifying at first. From day one we were asking ourselves, "What is going to be on the front page today?" You have no idea what the system will produce. But stepping back and giving consumers control is what brought more and more people to the site. They have a sense of ownership and discovery at the same time. If you give users the tools to spread and share their interests with others, they will use them to promote what is important to them.
I started reading the Bible. All of a sudden the words jumped off the page and became real.
There is not a morsel of evidence backing up any of the claims or any of the narratives or any of the premises that make up today's news. There is not a morsel of evidence on anybody. There's not a morsel of evidence on Flynn! On Manafort! On Carter Page! There's no evidence on Trump! And yet the reporting goes on. Convicted of high crimes already without a trial. It's a great piece by Eli Lake.
What is ironic is that Allen Ginsberg's importance was in its twilight for so many years that it took his death to bring it to the front page. He electrified an entire world!
You know very well that whether you are on page one or page thirty depends on whether they fear you. It's as simple as that.
I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.
I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes. . . . I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page.
The countenance may be rightly defined as the title page which heralds the contents of the human volume, but like other title pages, it sometimes puzzles, often misleads, and often says nothing to the purpose.
After writing a page, Hemingway would let it float to the ground. He never crumpled pages - he believed that if you crumpled them, you'd be insane in a year.
Sometimes in news photography and so on, the pictures are a little bit dry, and put on the page and just set in a journalistic way in front of you.
Words, words, words, a million million words circle in my head like hawks, waiting to dive onto the page to rend and tear the only two words I want to write. Why me?
The artist is present in every page of every book from which he sought so assiduously to eliminate himself.
We might be on the same page, but I wasn't happy about reading it.