We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make.
Moving along the upward spiral requires us to learn, commit, and do on increasingly higher planes. We deceive ourselves if we think that any one of these is sufficient. To keep progressing, we must learn, commit, and do-learn, commit, and do-and learn, commit, and do again.
When I got into comedy, which was really for acting, I would see the guys who would be considered great today. They were great, but after a few minutes I could get kind of bored because they wouldn't move around. The dress code was boring to me. I didn't want to see the guy next door when I'm watching a performer. I wanted to see someone I would pay a ticket for.
What is urgently needed is a bold new move from a consumer economy to a conserver economy in all of the developed countries, and particularly in the United States.
It's funny how a flame can only burn your hand if you move too slow, you can tease it all you want and it never gets you, if your quick enough.
One of the main points of the philosophy behind parkour is being able to help people. . . To teach them they way themselves, to gain confidence in themselves, building up from simple moves to more complex things, to teach them that they are worthwhile people.
All of my own impulses to balance and move seemed to conflict with those of the guards, and I was jerked and jostled down the portico, just as graceful as a sick cat.
The way you learn is by sitting with the Master, as he moves into those states of attention, you feel that and follow him. He generates tremendous energy when he's doing anything. You are taught inwardly.
We got on a moving train there. That's more of a financing arrangement on that [Dracula] film. It would be disingenuous to say we're producing it. So it was really about getting into business with our partner at Universal.
keep moving. It's hard for old age to hit a moving target.
We must carry the war into every corner the enemy happens to carry it, to his home, to his centers of entertainment: a total war. It is necessary to prevent him from having a moment of peace, a quiet moment outside his barracks or even inside; we must attack him wherever he may be, make him feel like a cornered beast wherever he may move. Then his moral fiber shall begin to decline, but we shall notice how the signs of decadence begin to disappear.
Contrary to a common myth, while there are general guidelines, there is no exact 'right' way to run. . . I am amazed by the many ways people move forward.
Comics are expensive. Don’t make me resent the money I spend buying yours. Every single moment in your script must either move the story along or demonstrate something important about the characters — preferably both — and every panel that does neither is a sloppy waste of space.
I like the word f-k. F-king deal with it and move on to the first f-king question you have.
Behavior influences consciousness. Right behavior means right consciousness. Our attitude here and now influences the entire environment: our words, actions, ways of holding and moving ourselves, they all influence what happens around us and inside us. The actions of every instant, every day, must be right. . . Every gesture is important. How we eat, how we put on our clothes, how we wash ourselves, how we go to the toilet, how we put our things away, how we act with other people, family, wife, work - how we are: totally, in every single gesture.
I think the relationships that we [with Donald Trump] developed on Capitol Hill are the reason why he's asked me to be a part of the team that's working to move our agenda forward in the House and in the Senate.
There are a lot of layers in the film [Dream of Life]. And during editing we would try to tame all the layers, try to make things a little bit more understood. We would move scenes around. We'd try all these things.
Making a movie is the same as an orchestra; it's moving all the different instruments and the sounds, the kinetic and the auditory and the visual all together. I'm probably the trombone.
We join spokes together in a wheel, but it is the center hole that makes the wagon move.
I sort of feel I'm only as good as the last record I made. I was on as soon as I finish it I immediately put it aside and move on to the next project.