I always like story songs, Dolly Parton, Tom T. Hall, Mel Tillis, Red Stegall, when they'd do their story songs. I was totally enthralled.
I was immediately into all the great movie comedians - Woody Allen, Mel Brooks, Richard Pryor, Gene Wilder. Everything those guys had anything to do with, from I don't know how young. Super young.
I always used to sit next to Mel Blanc when we'd do the shows. When you have Jack Benny on one side and Mel Blanc on the other, you're not going to go far wrong.
Mel Gibson doesn't need your judgment, he needs your prayers.
Working with Mel Gibson is a little like waltzing with a hurricane. It's always exciting, and you're never quite sure where it's going to take you.
You have to realize that Mel [Gibson], he's a funny guy. He's got a wicked sense of humor.
I wanted to be Red Barber, Mel Allen or Howard Cosell. I loved their personalities and all of their sounds.
There are popular celebrities, there are unpopular celebrities and then there are the walking dead. You know the walking dead when you see them: they look like Mel Gibson, still striving for drunken charm in an L. A. County mug shot, after getting picked up on a DWI charge that included anti-semitic slurs directed at the police.
Mel Gibson would not be a good James Bond
I also have picked a secretary for Housing and Human Development. Mel Martinez from the state of Florida.
One of my most strong memories was studying with Mel Bochner, one of the, I think, high water marks of American conceptual art.
Preston Sturges is one of my favorites. I learned about dialogue and timing from him - louder, faster, funnier. But I do love Mel Brooks.
We can't compete with Mel Gibson, but we figured we could do our part.
We don’t have much time. Mel will be out of the restroom soon. ” “You’ve got a magician named Mel?
When it comes to action, I'd say Mel Gibson and Will [Smith] were great.
[Mel Gibson] had just directed The Passion [Of The Christ], and it had just been released as we started production on Complete Savages. But I have to say, nobody ever talked about it, and he never brought any of that to work. He was just delightful, and I had a great time.
Unnamed entertainment industry moguls are now telling the New York Times that they intend never to work with Mel Gibson again. After all, how dare Mel Gibson challenge the public by producing a film that spurs public discussion, that pushes the envelope, that takes an old story to a new level. How dare Mel Gibson follow his own passion as a filmmaker. How dare he make $20 million on the opening day box office!
Mel [Gibson] will always be Mad Max, and me, I will always be a number.
I would like to say that what Mel Phillips was doing was not sexual harassment but more sexual abuse of children, because he was doing it in a sexual manner now that I look back on it.
If Michelle Pfeiffer gave Mel Gibson a vial of blood to wear around his neck in a movie you'd think it was terribly romantic, everyone would cry and they'd win awards. But in real life if someone does that they'd be considered weird.