I had a period after touring the first record where I didn't agree with the way things worked in the music industry as far as how you release music, demand, the pace of everything. You don't know who's talking to you. Who's Spotify? Who's iTunes? Who are all those bloggers? Who says I have to do this? Why do you have to do all this press? Why do I have to do so many shows? Why do I have to do a regular album right now? I don't understand it.
I went on iTunes and looked at versions of Christmas songs. Everyone has done them!
The addition of Beats will make our music lineup even better, from free streaming with iTunes Radio to a world-class subscription service in Beats, and of course buying music from the iTunes Store as customers have loved to do for years.
I don't think people really do listen. We plug into music, and we have short attention spans. We tend to download individual tracks from iTunes rather than a whole album. We buy music DVDs and watch them once, and then they disappear into a drawer, or we loan them to a friend, and we never watch it again.
I imagine if Spotify becomes something that people are willing to pay for, then I'm sure iTunes will just create their own service, and they're actually fair to artists.
Technological change is discontinuous. The monks in their scriptoria did not invent the printing press, horse breeders did not invent the motorcar, and the music industry did not invent the iPod or launch iTunes.
Asked about the fact that Apple's iTunes software for Windows computers was extremely popular, Jobs joked, 'It's like giving a glass of ice water to somebody in hell.
Files on iTunes - and thus iPods - are incompatible with everything else. Applications on iPhones may only be sold and uploaded through the iPhone store - giving Apple control over everything people put on to the devices they thought they owned.
My problem with iTunes is that I don't have any say in how I'm represented on the site.
Concerning iTunes, the deals have mainly been done with the record companies. But the artists, with some exceptions, haven't been very well-represented. This is partly because the record companies have largely been copyright owners.
To go see a band in a big venue is a difficult experience. I don't really like that too much. I'm not a guy who puts on iTunes and goes, "Oh, what's hot!" I don't need to.
In certain cases I don't want to sell tracks individually; I want to only sell the whole album. With simple things like that I just don't get any response [from iTunes]. I don't want to kill iTunes - I just want to offer my own retail experience in my own tiny corner of the Internet.
I like buying iTunes. It's instant.
If you take a look at the way the premium content is monetized, there's a lot of different models out there. Sometimes you pay for an individual episode, for example on iTunes. Other times you pay for a subscription. And other times it's free ad-supported.
I don't stream or buy CDs pretty much everything I buy, I do it on iTunes.
The only reason Woodstock was necessary is because they didn't have iTunes.
I'm really compulsive with music. I listen too much, and I can't listen to one thing. I love iTunes Genius.
I am in a business that's built on record sales and reputation and how your single is doing and where your song is on iTunes. But the kind of music that I do comes from my beliefs.
I think that iTunes is opened up a whole new world to me, and I never thought it would. If you've got a day off in a hotel room, you can buy three albums and then they're there. It's kind of strange to have a relationship with that.
I grew up with the Beatles and they are still to this day my top band played in my iTunes.