The lies are in the dialogue, the truth is in the visuals.
English dialogues are always just what you need and nothing more - like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
When it comes to dialogue between South and North Korea and between the United States and North Korea, these can go on parallel tracks. South Korea and the United States can each play a role.
Freud believed that our dreams sometimes recapitulate a speech, a comment we've heard or something that we've read. I always had compositions in my dreams. They would be a joke, a piece of a novel, a witticism or a piece of dialogue from a play, and I would dream them. I would actually express them line by line in the dream. Sometimes after waking up I would remember a snatch or two and write them down. There's something in me that just wants to create dialogue.
I would have preferred to have been in a film where I could've been more authentic or more human, where the dialogue and my approach to the part could have been more real.
Political differences will always generate a healthy debate, but over time the dialogue has become more hateful and at times violent.
Obviously, it's some kind of freely commanded modality in the psyche with which we can have a relationship if we will but evolve a control language and a dialogue. And it remains mysterious.
Ever since I became NATO Secretary General, I have emphasised the need for enhanced political dialogue among the Allies. And I am glad that, over the last few years, we've had more regular, and increasingly constructive, political discussions in NATO on a wider range of issues.
I'm in constant inner dialogue with my father still.
As with all other aspects of fiction, the key to writing good dialogue is honesty.
Dialogue does not happen when we are adversaries.
The actual business of writing dialogue is not thought of as a craft.
Only he who is capable of a genuine encounter with the other is capable of an authentic encounter with himself, and the converse is equally true. . . From this perspective, every spiritual exercise is a dialogue, insofar as it is an exercise of authentic presence, to oneself and to others.
Propaganda begins when dialogue ends.
Change happens by listening and then starting a dialogue with the people who are doing something you don't believe is right.
I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.
Through skateboarding, I have an open line of communication, some common ground and common ground is big man. That enables me to travel around the world and no matter where I am, or who I'm with, connect with other young people, and I can have an instant dialogue and an instant relationship based on the fact that we skateboard, and when I'm doing appearances and demos, that's not lost on me.
I got into dialogue because my parents began taking me to see plays from when I was very young. Too young, often, to understand the play I was watching: Who's Afraid Of Virginia Woolf when I was nine years old; That Championship Season when I was ten years old. But I loved the sound of dialogue; it sounded like music to me and I wanted to imitate that sound.
A more significant phase should mean serious political dialogue.
Children are receptive to talking about gender creativity, confirming the importance of the book as a means to instigate this dialogue at an early age.