It's a fact that kids watch TV. But if you think back, when you watched cowboy movies, you would go out and play cowboys. TV and movies motivate people.
Cheap liquor is a magic potion that can turn you into a puppet cowboy before it kills you.
Never slap a man who is chewing tobacco.
I'll tell you what - if you attend a Cowboy-Redskins game, you better not leave 'til that clock hits zero.
Though Geographic didn't publish that photo in the story that it was done for, "The Life of Charlie Russell," a cowboy artist in Montana. But later, maybe a year and a half ago, they named it one of the 50 greatest pictures ever made at National Geographic.
Don't interfere with something that ain't bothering' you none.
A railroad is like a lie you have to keep building it to make it stand.
Renaissance cowboyraconteur Pop Wagner. . . deadpan funny. . . his presence is like meeting Woody Guthrie and Will Rogers riding a single, many colored horse. Pop is a kind of 'textile genius' who is able to spin, at once, both yarn and rope.
The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
Never kick a cow chip on a hot day.
And what do we have here? A scary monster, cowboy, and a fairy princess! Here's a hit of ecstasy, run along now.
First buy a cowboy hat and boots. Then you're on your way to being a Texan.
Well sir, I may not be a for-real cowboy. . . But I am one hell of a stud!
Someone said DX over here? It was this dipshit with the cowboy hat over here.
I've always loved comic books. As a kid, I used to read cowboy stories and historical comics about other worlds, unknown places that would take me out of myself and which helped to develop my imagination.
The protagonist of Fourteen Stories, None of Them Are Yours doesn’t make it easy for us, channeling as he does Barry Hannah and Denis Johnson by way of Rick Bass and Dennis Hopper, and self-presenting as yet another damaged romantic who thinks it’s always time to play the cowboy, skating in and out of sense. He can’t see right, and he’s haunted by nearly everything. He’s trying to open up or shut himself down or at least get a hold of himself. He’s trying to make do with what he’s done, while he reminds us that we’re all, one way or another, in that position.
My heroes used to be cowboys.
People had their image of what a cowboy was,. . . A lot of it was perpetuated by the media presentations of the cowboys in fiction and old Westerns. And because of the tenure of the times, African-Americans were left out. As a result, reality was distorted.
Every little kid wants to grow up to be a cowboy, and I did.
The cowboy music twanged in the roadhouse and carried across the fields, all sadness. It was all right with me. I kissed my baby and we put out the lights.