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I was shooting on The Mindy Project while I was editing Alex of Venice, which was the stupidest thing I could've done. It was like having two full-time jobs. But in editing some characters were dropped, some storylines were dropped. It just starts dictating what it's supposed to be. It's scary, but fun to try to be brave and to "kill your darlings. " To get rid of the stuff that you were like, "Oh, I'll never get rid of that. I love that. As long of a take as it is, I'm gonna keep that in. "

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Jamie Farr

The third year of MASH was when I realized I was a hit.