I'm totally twisted. Instead of, "Oh god, I don't have platforms - they won't like me," I was much more, "I'm doing what I'm doing, and if you don't want to buy it, then don't buy, but that's just what I'm gonna do. " It gave me strength. It worked for me.
You should use your influence to help other platforms succeed.
When you're an artist, you have a platform that can reach millions.
Things have changed. I almost feel like it's more adaptable, and you can decide your own career now. I feel artists have so much more of a voice and so much more power now. It's really inspiring to see how a lot of the young artists use their platforms.
I actually went on lectures at Harvard, Stanford, Oxford and all the business schools eight years ago, explaining what the implications were and how the platforms could be powerful in creating the narrative of your brand and mobilizing your life so that you become humanized as well. I understood that and thought that was really empowering, not only to artists, but to brands as well and in general.
I love comedy. God has given me this platform.
I have always been a person who is extremely comfortable in my skin. I have always just been myself in all these years on the public platform.
Get out of the way. This is actually Craig Newmark's law. As Google built the most powerful tool imaginable - the entire world of digital knowledge revealed behind a simple search box - so did Craig build a simple tool that changed society , and newspapers and real estate and more, without prescribing how we should use it. They create platforms to enable us to do what we want to do and then, instead of giving us rules about their use, then they stand back and put us in charge.
Facebook is a platform inside a platform.
The personal things should be left out of, in my opinion, out of platforms and conventions.
Everything for us is a system. We don't think about it discretely as just as a piece of hardware, or discretely as an application. . . or discretely as a platform. We think about it across the whole thing.
In the near future, we'll have games that don't depend on any platform.
Things always change and evolve and now there are a lot of other ways for people to hear music that weren't as available in the past. Yes there are way more venue closures, but at the same time there are so many newer ways via social media and other digital platforms for emerging artists to spread their music and make an impact.
Today, getting people to hear your story on social media, and then act on it, requires using a platform’s native language, paying attention to context, understanding the nuances and subtle differences that make each platform unique, and adapting your content to match.
Java isn't platform independent; it is a platform
Is there a place here for the spirit ? Is there time on this brief platform for anything other than mind 's failure to explain itself?
I am a tariff man, standing on a tariff platform.
For me, experimentation is not about the technology. In an ever-changing technological landscape, where today's platforms are not tomorrow's platforms, the key seems to be that any one of these spaces can use a dose of humanity and art and culture.
Russians have a new freedom, but as long as they don't express that freedom on a public platform.
Washington has become our Versailles. We are ruled, entertained, and informed by courtiers -- and the media has evolved into a class of courtiers. The Democrats, like the Republicans, are mostly courtiers. Our pundits and experts, at least those with prominent public platforms, are courtiers. We are captivated by the hollow stagecraft of political theater as we are ruthlessly stripped of power. It is smoke and mirrors, tricks and con games, and the purpose behind it is deception.