Period movies are just always a wonderful thing to work on.
I write to music, and Nina Simone is always on my playlist to write to. I mean, shes inspiring. She's truthful and real and raw.
People often ask me if I feel discriminated against as a black female director. I don't. I'm actually offered a ton of stuff. But I only want to direct what I write. And I prefer to focus on black female characters. What's most important to me is to put characters up onscreen who are not perfect, but who are human and flawed.
I want us to have it all, love and career. It's a struggle sometime to achieve that, but I love the struggle.
A classic is a classic for a reason. Let's try to create new classics. The idea of repeating ourselves drives me a little crazy.
We have two boys. After George Zimmerman was found not guilty of killing Trayvon Martin, we had to explain to our older son, who was 12 at the time, how that could happen. Instead of hugging and consoling him, my husband pulled out a documentary about Emmett Till and showed it to him and started to talk about how the justice system works in this country - and how it often doesn't. From that conversation, our son wrote a short story about Trayvon Martin going to heaven to meet Emmett Till.
Be passionate about your [movie] material, because you're going to have to overcome a lot of "No's," and it's that passion that fuels the fight.
Start doing what you want to do, and everything else will be revealed to you.
Life's battle is a conquest for the strong; The meaning shows in the defeated thing.
He shall appear suddenly and blissfully to all that love Him.
Getting back into the action genre is like going back home. It's great.