I knew I wanted to work in Cinemascope because I find it much more beautiful just in terms … - Victor Levin

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Quote of the day

When you're a kid, you have no power. You're physically small and weak, and adults are constantly telling you what to do. So it's incredibly compelling to imagine yourself not only as someone to whom exciting things happen but as someone who is more than those around you. The problem is that then you begin to grow up and realize you're just a lowly muggle. … Is it possible that all of us, weaned on these stories, end up inevitably disappointed with mundane life as it actually exists?

Victor Levin

I knew I wanted to work in Cinemascope because I find it much more beautiful just in terms of the shape of the screen, the wider image, and it's also less like television, which is important.

Beautiful, Image, Important, Television, Work

Same Author Quotes

Your favorite story, whatever it might be, was written for one reader

Favorite, Might, Reader, Stories, Story

You learn to do your best writing on story rather than off story. Very often at the beginning of their careers, writers including me do their best dialogue writing off story - the best lines, the best observations - but they haven't got enough to do with the plot to stay in.

Careers, Dialogue, Plot, Writing

The stand-up really helped because you know the feeling when something feels true, and you know the feeling when it feels false. You don't ever want to give an actor the feeling of it being false, because you know how unfair that is.

Feelings, Feels, Give, Giving, True, Unfair

Most of the jokes that I wrote were funny and there always seems to be an aspect of comedy in my long-form work. I think that's how life is. I think even the more dramatic moments of one's life are often punctuated by very funny comments or situations. I like to say, "Keep your comedy serious and your drama funny, and you'll be pretty true to life. "

Drama, Funny, Situations, Thinking, True Life, Work

The good thing about being in advertising was a lot of the skills cross over: you have to be accountable for your jokes; you have to tell a story quickly. It's the most expensive filmmaking foot-for-foot in the world, so it does teach you how to use all of the machines and how to think of things in terms of the physical process of capturing the images. And you have to sell your work. You have to walk into whatever it is and stand up in the middle of a conference room with a storyboard in your hand and make people laugh.

Accountable, Advertising, Laughing, People, Sell, Thinking