Work is the only meanin' I've ever known.
Toby: All right. It couldn't have gone far, right? Sam: No. Toby: Somewhere in this building. . . is our talent.
Toby Zeigler: There's literally no one in the world I don't hate right now.
If you close your eyes you can imagine the hackers sitting in a room, combing through the documents to find the ones that will draw the most blood. And in a room next door are American journalists doing the same thing. As demented and criminal as it is, at least the hackers are doing it for a cause. The press is doing it for a nickel.
When I feel that something I'm writing is going well, everything in my life is good and the things in my life that aren't good are completely manageable. If it's not going well, Miss America could be standing there in a swimsuit handing me a nobel price and I wouldn't be happy about it
Tell me what you think and then tell me what the really smart person in the room who disagrees with you thinks.
I consider plot a necessary intrusion on what I really want to do, which is write snappy dialogue. But when I'm writing, the way the words sound is as important to me as what they mean.
In the show, we have recreated two sketches that my dad had, or pieces that my dad had developed. One that he had developed with my mother, one that Frank Oz had developed with my dad. And these are old pieces from the '50's and '60's, and we're going to develop more, too.
It's part of the general global hypnotism to accept lies as the new truth.
It is a high for me. It is my biggest and most satisfying deal.
Even when I think of writing fiction, it's being kind of a liar, a storyteller, a weaver, and there's that sense of how much of this is your life. The story is a way you unravel your life from behind a mask.