As we go through life our relationship with our own mortality and our inevitable demise increases.
I may think I have inalienable rights to be alive and happy but I don't - life is a blessing.
I don't think I've ever written anything even remotely naturalistic. The closest probably would be seen as 'Frankie and Johnny,' and that's only 'cause they eat a sandwich and make an omelet in act two. But it's a romantic fairy tale, and I'm very aware of that. I don't think it helps the actors in my plays to lose themselves in the reality of talking to another person. A good McNally actor always knows he's in a play with an audience.
Write plays that matter. Raise the stakes. Shout, yell, holler, but make yourself heard. It's time for playwrights to reclaim the theatre. We do that by speaking from the heart about the things that matter most to us. If a play isn't worth dying for, maybe it isn't worth writing.
Young people have got to start their own theaters, really. All good theater is a kind of mom-and-pop operation. Start your own theater.
Technology promises to let us do anything from anywhere with anyone. But it also drains us as we try to do everything everywhere. In a surprising twist, relentless connection leads to a new solitude.
There are so many rules about play writing. I'd have a nervous breakdown if I followed them.
Those who use language and have nothing but language to express themselves live in a cage that cannot feel comfortable.
We're not trying to change the world; just music.
When a passion is not realized. . . it fades away, or becomes ideal worship--Dante--Petrarch--that sort of thing!
Morals consist of political morals, commercial morals, ecclesiastical morals, and morals.