I've come to accept who my readers turn out to be, rather than having some sort of demographic target.
If I had a stock of fabulous sounds I would just always use them. I wouldn't bother to find new ones.
Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape. I always record everything, even a run through where you're trying to get in tune. That's a principle because sometimes when the situation isn't clear interesting things happen, and they are worth listening to again.
The trouble with New Age music is that there's no evil in it.
The point about working is not to produce great stuff all the time, but to remain ready for when you can.
I'd rather hold one note for an hour and modulate it so that it means something than play 3,000 notes in 15 seconds.
since piety has become the fashion at Court, dramatic authors imagine that their pieces would be more welcome if they added in a little devotion. At first their plan succeeded, but now no one can bear their comedies.
In a sense Toronto feels like home to me.
To be honest, I find most politicians very untrustworthy. When I listen to them talking - or rather, lying - I just feel there are very few politicians with integrity, so I never know who to bat for.
Archimedes once said that 'Give me where to stand, and I will move the earth. ' There is a much more difficult task than this: To try to lift an ignorant up from where he stands, because he is heavily chained to the stupidity!