To go from Yale to the National League is simply to go from one form of management to another.
The silkworm spins out his life, and, wrapping himself in his labor, dies.
Disease is the misery of our belief, happiness is the health of our wisdom, so that man's happiness or misery depends on himself. Now, as our misery comes from our belief, and not from the thing believed, it is necessary to be on the watch, so as not to be deceived by false guides. Sensation contains no intelligence or belief, but is a mere disturbance of the matter, called agitation, which produces mind, and is ready to receive the seed of error. Ever since man was created, there has been an element called error which has been busy inventing answers for every sensation.
Every one is made of matter, and matter is continually going through a chemical change. This change is life, not wisdom, but life, like vegetable or mineral life. Every idea is matter, so of course it contains life in the name of something that can be changed. Motion, or change, is life. Ideas have life. A belief has life, or matter; for it can be changed. Now, all the aforesaid make up man; and all this can be changed.
It may seem strange to those in health that our beliefs affect us. The fact is, there is nothing of us but belief. It is the whole capital and stock in trade of man. It is all that can be changed, and embraces everything man has made or ever will make.
Human misery universally arises from some error that man admits as true. We confound our fears with the idea feared, and place the evil in the thing seen or believed. Here is a great error, for we never see what we are afraid of.
MY THEORY: the trouble is in the mind, for the body is only the house for the mind to dwell in. . . If your mind has been deceived by some invisible enemy into a belief, you have put it into the form of a disease, with or without your knowledge. By my theory or truth I come in contact with your enemy and restore you to health and happiness.
With my students I give them lots and lots of guided writing. Part of it is as simple as writing a lot but not toward anything. The mind floats. Then I help them see where the language has heat. If we do this a lot in class, students eventually relax into this writing practice and enjoy it. Even just that - writing pleasure without the anxiety of "audience" or "grade" or "success" - is a kind of impetus toward the unfamiliar.
The only way to fail is to quit.
There is a lot more hard work to do in the future for the well-being of our sisters and brothers, the people of Thailand.
A lot of actors are like, 'Why do I do this? My character wouldn't do this? This doesn't make sense. ' And in a comedy, you kind of just need to walk into the door.