Country radio is much more like a family than any other group of people that I've met.
You'll never see any two good actors approach a role in the same way.
We have as many planes of speech as does a painting planes of perspective which create perspective in a phrase. The most important word stands out most vividly defined in the very foreground of the sound plane. Less important words create a series of deeper planes.
I have taken film-work that has been a little more cliché-written, to support myself and my family, and that's a whole kind of other challenge. It's like chopping wood: You've got to take what you can get and bless what withstands you. But in theatre! There's enough great theatre that you can find something interesting!
Gratuitous cruelty borders on the pathological, psychotic and that becomes uninteresting because there is no choice.
The first theatre I ever found was in the backyard of a new suburban community in the foothills of the Poconos. My dad was a young FBI agent at his first or second posting - we're all from New York. He was posted in Scranton, Pennsylvania and he put the family in a brand new red-brick apartment. It was in a C-shape and behind it was a small hill that led up to the woods. There was a white-washed brick wall that was a perfect theatre! There were windows and all the ladies behind the windows in their apartments. I would go out there after lunch every day and sing opera.
It is through you, actors, that the forces which are understood by millions and that tell of everything that is beautiful on earth, find expression. The forces which reveal to people the happiness of living in a widened consciousness and in the joy of creative work for the whole world. You, the actors of a theatre, which is one of the centres of human culture, will never be understood by the people if you are unable to reflect the spiritual needs of your time, the now in which you are living.
I like to walk down Bond Street, thinking of all the things I don't desire.
You can't play everything you learn, anyway. You just try to bring it all on-board and use what's useful. In the end, it's your job to own the role and, in the end, you are playing certain aspects of your own self, even.
I have found that I get a better reaction from people once I am less bothered about their reaction.
At Chicago Hope they have a technical staff that works real hard to make that O. R. as realistic as possible.