The term ‘quadrilateral’ does not occur in the Wesley corpus – and more than once, I have regretted having coined it for contemporary use, since it has been so widely misconstrued
I see everything visually. It's very visual for me. And so I think, from a plotting standpoint or what have you, there's obviously a certain amount of internal thinking that goes on in a novel (that) you can't do. . . in a screenplay. But I think, pacing wise, my novels move quickly because (they aren't overly) descriptive.