Do you think I'd be stupid enough to go running with someone I was foolin' with?
The more you read the novella, the more you should wonder, I think, which judgments are to be taken as bedrock.
Both Ulysses and Finnegans Wake are inexhaustible. They are celebrations of the ordinary, compelling reactions to philosophical elitism about "the good life". I hope to examine both of them further, doing more justice to Joycean comedy than I did in my "invitation" to the Wake, and trying to understand how the extraordinary stylistic innovations, particularly the proliferation of narrative forms, enable Joyce to "see life foully" from a vast number of sides.
The variety within Mann's fiction is impressive and fascinating. But Joyce is even more various and many-sided. He begins his career with a wonderful sequence of bleak studies about the ways in which human lives can go awry - in my view, Dubliners is underrated.
Mann and Joyce are very different, and yet their fiction often appeals to the same people: Harry Levin taught a famous course on Joyce, Proust, and Mann, and Joseph Campbell singled out Joyce and Mann as special favorites. To see them as offering "possibilities for living", as I do, isn't to identify any distinctive commonality. After all, many great authors would fall under that rubric.
Mann was less interested, I think, in constructing any kind of "portrait of an age" than he was in delineating an individual consciousness in which profound struggles about identity and direction arise - struggles that Mann himself had not only reflected on but felt keenly. Visconti takes up this central focus of the novella, but he couples it with a more social perspective.
So is fighting incompleteness the source of artistic neurosis? I doubt it. At most, this would apply to artists who deal with particular kinds of problems. I don't think we should think of Haydn or Mozart or Dickens or George Eliot in these terms.
I try to write conversationally; I try to write like people speak and put the emphasis on the right syllable.
You don't feel you have the same voice in a presidential election if you live in a solid blue or a solid red state. I also don't think we've educated voters well on the different ways in which primaries work in different states. It doesn't need to be the case that you end up with one Democrat and one Republican, you have open primaries, you can have jungle primaries. There are various permutations and combinations of how to do this.
The fiery force is nothing more than the life force as we know it. It is the flame of desire and love, of sex and beauty, of pleasure and joy as we consume and are consumed, as we burn with pleasure and burn out in time.
The emotions will take care of themselves. You don't have to prod them along. As a matter of fact, you get in trouble when you prod them along.