I find it ironic that fear is eliminating the possibility to tell stories that depict our ability to overcome fear
Protection of children from violence and abuse has always been my main activity or campaign.
I suppose the biggest change to me is this kind of very oversexualizing of everything. Not that anyone wants to take the sex out of rock 'n' roll, you know - that would be ludicrous - but it seems that everything now, it's like the sexuality is the only voice; everything else is gone.
I suppose is very cathartic to do a show to the masses and you get to make magic in a manner that you can't do in regular life, but I suppose that self esteem effect is one of the most powerful.
You have to hide what you are and it's really stressful and very bad for your self esteem. Because it's not obvious to people that you are ill, they treat you as if you're a pain in the ass, then you beat yourself up and you are already beating yourself up as a part of mental illness.
When I sing, it's the most solitary state: just me, and the microphone, and the holy spirit. It's not about notes or scales, it's all about emotion.
When you have mental illness you don't have a plaster or a cast or a crutch, that let everyone know that you have the illness, so people expect the same of you as from anyone else and when you are different they give you a hard time and they think you're being difficult or they think you're being a pain in the ass and they're horrible to you. You spend your life in Ireland trying to hide that you have a mental illness.
Words are how we think; stories are how we link.
To sing means to sense and to affirm that the spirit is real and that its glory is present.
Solar, for example - which has typically been thought of as so expensive - is cheap when compared with, for example, the cost of cleaning up the Fukushima nuclear disaster and the Gulf.
So much of the humor on new sitcoms plays to the lowest common denominator. Wit isn't nearly given as much attention as slipping on a banana peel. So much of the writing is so coarse, so obvious that it doesn't provide a shock, never mind a laugh. What makes something funny is alluding to it without laying it out explicitly. You let the audiences fill in the gaps and that's where the laughs come.