Whatsoever that be within us that feels, thinks, desires, and animates, is something celestial, divine, and, consequently, imperishable.
I'm one of those people that really pays attention to the music in films.
If you're creating anything at all, it's really dangerous to care about what people think.
It sounds so cheesy, but there's something very powerful about looking in the mirror and asking yourself a question. Because I think it's really hard to lie.
When you go out of your comfort zone and it works there's nothing more satisfying.
With improv, it's a combination of listening and not trying to be funny.
Don't become something just because someone else wants you to or because it's easy; you won't be happy. You have to do what you really, really, really, really want to do, even if it scares the s-t out of you.
I know a fellow who's as broke as the Ten Commandments.
The truly cultured are capable of owning thousands of unread books without losing their composure or their desire for more.
The thing about improvisation is that it's not about what you say. It's listening to what other people say. It's about what you hear.
The high-school English teacher will be fulfilling his responsibility if he furnishes the student a guided opportunity, through the best writing of the past, to come, in time, to an understanding of the best writing of the present. He will teach literature, not social studies or little lessons in democracy or the customs of many lands. And if the student finds that this is not to his taste? Well, that is regrettable. Most regrettable. His taste should not be consulted; it is being formed.