At dances when I was a little kid, Art would be up there singing while I'd be dancing with some girl a foot taller than me.
Part of elegy is confrontation - not just with the idea of death, but with the person who has died.
I think that the people who really accomplish things in this world have to have a little bit of crazy in them.
Social media is alluring, tempting, frustrating, etc. We mistake our interactions in social media as community, but is community possible when you don't even know what someone looks like or what his or her voice sounds like? I've enjoyed connecting with a lot of poets through social media, but do I truly know them if I haven't even met them yet?
I like when a poem ends on its "receipts," meaning it gives me something tactile or tangible to dwell on as I exit the reading experience. So I strive to end my own poems that way as well.
I write to be recorder, observer, participant, and sometimes, even judge. I want to engage the world as I see it with my whole self - all of those different aspects of it.
I switch between fixed forms and free verse often, and enjoy being a poet who can "swing both ways," so to speak.
I'd like to grow up and be beautiful. I know it doesn't matter, but it doesn't hurt.
Slavery is the most insane thing. . . I don't know that we've ever seen in history, but it's got to be close. The idea of slavery is such a base impulse. It's like, "I'm going to kidnap you and then you're going to do everything I want. " Like, what? And then there's the historical aspect. It had a huge effect on human history.
I think what matures us is time, not necessarily our physical bodies. So I think she can probably change as much as human would in the timespan of the show. However, I do think as a human you reach a point where there's a certain amount of humility and acceptance of life and its consequences when you see your own body change and age, and the pounds come or the wrinkles come.
Find your happiest colours - the ones that make you feel good.