. . . why I like timetables, because they make sure I don't get lost in time.
I overcome failure by doing it again and trying not to make the same mistake.
I started acting pretty much by accident. I was doing read-throughs for a playwright who I was assisting, and then an agency saw me and said they wanted to represent me and get with me through my training and so on and so forth. It was pretty much by chance.
You do research into specific occupations of the character, with specific behaviorisms that their daily life might give them. You do as much research as you want, as you can. Now that you have such open access to the Internet, it's very easy to do so.
I guess, the hardest obstacles I've had to overcome in my life are deaths of people close to me.
How do I stay balanced? On my two feet.
If I'm playing a fat person, then I actually eat a lot of cakes and as much as I can. If I'm playing a person in shape, then I'll increase my intensity of boxing training. It's really dependent. It kind of allows me to take whatever specific character I want.
Luxury must be comfortable, otherwise it is not luxury.
When I'm told something can't be done, I am inevitably attracted to that particular challenge.
If you run into a wall, don't turn around and give up. Figure out how to climb it.
It ought to be the happiness and glory of a representative to live in the strictest union, the closest correspondence, and the most unreserved communication with his constituents. Their wishes ought to have great weight with him; their opinion, high respect; their business, unremitted attention.