What happens in our consciousness and minds and bodies is also happening on earth. The more we pollute the earth, for example, the sicker we are.
Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.
Any professional knows that the flute and the piano is a boring combination. All you've got to arrive at is a kind of typical gestural crap, right? You might agree, though you wouldn't call it gestural crap
We do not hear what we hear. . . , only what we remember.
To me, I took a militant attitude towards sounds. I wanted sounds to be a metaphor, that they could be as free as a human being might be free. That was my idea about sound. It still is, that they should breathe. . . not to be used for the vested interest of an idea. I feel that music should have no vested interests, that you shouldn't know how it's made, that you shouldn't know if there's a system, that you shouldn't know anything about it. . . except that it's some kind of life force that to some degree really changes your life. . . if you're into it.
Music can imply the infinite if enough things depart from the norm far enough. Strange "abnormal" events can lead to the feeling that anything can happen, and you have a music with no boundaries.
The tragedy of music is that it begins with perfection.
So many more cycles of elation of the first kiss, and devastation when it's over.
I used to think I could shape the circumstances around me, but now I know Jesus uses circumstances to shape me.
Now I also discipline myself to do things I love to do when I don't want to do them
Welcome thy neighbor into thy fallout shelter. He'll come in handy if you run out of food.