Stuff that I write isn't as similar to the stuff that I'm in, but I don't really care, I just do comedy.
A literary academic can no more pass a bookstore than an alcoholic can pass a bar.
Power consists to a large extent in deciding what stories will be told.
Ideas move fast when their time comes.
Normal is absolutely my least favorite word.
Why do long marriages occasionally endow their inhabitants with a rare kind of equilibrium otherwise almost unknown in human relations? My guess is that the value of the moment has at last overshadowed the long history of resentments, betrayals, and boredom.
The sign of a good marriage is that everything is debatable and challenged; nothing is turned into law or policy. The rules, if any, are known only to the two players, who seek no public trophies.
Every day in this industry is an experience in itself and I try to work hard not to let anyone down. It is a great feeling, but it does come with responsibility towards your colleagues and the audiences
Give me artificial flowers - porcelain and metal glories - neither fading nor decaying, forms unaging. Flowers of the splendid gardens of another place, where Forms and Styles and Knowledge dwell. I love flowers made of glass or gold, true Art's true gifts, their painted hues more beautiful than nature's, worked in nacre and enamel, with perfect leaves and branches.
With my students I give them lots and lots of guided writing. Part of it is as simple as writing a lot but not toward anything. The mind floats. Then I help them see where the language has heat. If we do this a lot in class, students eventually relax into this writing practice and enjoy it. Even just that - writing pleasure without the anxiety of "audience" or "grade" or "success" - is a kind of impetus toward the unfamiliar.
Time rises and rises, and when it reaches the level of your eyes you drown.