Tomorrow comes after the dark
There's a line of dancers waiting to get into Sydney Dance Company.
I'm not interested in a group of people with some sort of incredible homogeny,a group that can do the movement I want. I'm interested in people whocan take the movement somewhere.
I'm in the position to pick the cream of the crop.
Mostly, I'm in the very enviable position that no one dictates what I do.
I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.
If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.
Trust is central to an economy that works.
A warrior of the light. . . never confuses tension with anxiety.
I must say that I am not very genteel and I feel that gentility has a stranglehold: the neatness, the wonderful tidiness, which is so evident everywhere in England is perhaps more dangerous than it would appear on the surface.
I love music so much that I have to try to make my own music. And not copy music.