The potential for greatness lives within each of us.
My limits are limitless. I find my limits every time I act.
Interest in certain themes doesn't mandate a personal stake or personal experience of those themes. I've killed people in plays, but no one asks me what it's like to kill people.
I don't want to expose the intricacies of my work so people can understand how I did it.
You can find the richness in any moment, even the most seemingly bleak. To try to do a movie about that was a joyful experience. So actually, it was really the context of it that made the experience so worthwhile, rather than the actual subject matter, if that makes sense.
I wish I had more of the hero gene, but I don't think I'd be very good at playing one.
Every time I do a movie, I think it's going to be a huge hit.
The goal isn't to be restrictive or tight about what passes through the altar (your mouth) and into the temple (your body). It's to create sustainable and consistent energy for every deserving cell in your body. That, my friends, is true love.
If we don't consciously plant the seeds of what we want in the gardens of our minds we'll end up with weeds.
One in six people suffer depression or a chronic anxiety disorder. These are not the worried well but those in severe mental pain with conditions crippling enough to prevent them living normal lives.
The postmodern reply to the modern consists of recognizing that the past, since it cannot really be destroyed, because its destruction leads to silence, must be revisited: but with irony, not innocently. I think of the postmodern attitude as that of a man who loves a very cultivated woman and knows he cannot say to her, I love you madly, because he knows that she knows (and that she knows that he knows) that these words have already been written by Barbara Cartland. Still, there is a solution. He can say, As Barbara Cartland would put it, I love you madly.