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All criticism is opposition. All opposition is counter-revolutionary.

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Matthew Zapruder

I don't know if anyone has ever mentioned this, we need to be careful with drugs! They're not just all fun and games! And of course poetry would be immeasurably worse without humor.

Course, Drug, Drugs, Fun, Games, Worse
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Always in search of the question that might make you ask me one in return

Ask, Ask Me, Make, Might, Return, Search

I see sad crushed plastic everywhere and put some thoughts composed of words that do not belong together together and feel a little digital hope.

Composed, Digital, Hope, Littles, Thoughts, Together

Miroslav Holub seems to expect his readers to act like scientists, who are curious in every direction, take nothing for granted, and are willing to accept any truth, however unexpected.

Act, Granted, Like, Nothing, Scientist, Unexpected

A poem is like a person. The more you know someone, the more you realize there is always something more to know and understand. A final understanding could probably only begin upon permanent separation, or death. This is why we come back to certain poems, as we do to places or people, to experience and re-experience, to see ourselves for who we truly are, and to continue to be changed.

Back, Changed, Like, People, Separation, Understanding

When I saw the sun bears at the Oakland Zoo, I immediately was drawn to them. Not to be ornery, but regarding what you said about the speaker identifying with the bear: I'm not sure it's exactly right to say that the speaker feels that the bear must share his sadness, or whatever else he is feeling. That would be classic pathetic fallacy, which is certainly generative for poetry, but here the speaker appears actually to be rejecting that idea.

Identifying, Oakland, Sadness, Saw, Zoos
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