Sigur Ros make beautiful music. Bloc Party are fantastic and exciting and innovative.
It's always been kind of weird to me because when you give someone an autograph, you're looking down at a piece of paper and once you sign it the person moves on.
I have worried about getting pigeon-holed, but now I think I've done enough weird, offbeat stuff not to be. And I also know that I do things for the right reasons: I've made my money, so I don't have to say yes to anything.
It is a weird feeling to have people go, 'Hey Chris' like they know me. But, number one, 99 percent of my experiences have been really cool. People couldn't be nicer and more positive.
It's just nice to work hard and be rewarded, which is having lots of people watch. And the icing on the cake is for me is to be able to walk around with pride, feeling that the product you put out is worthy of being watched. But honestly, it's not a big deal. I don't put too much stock in fame or celebrity anyway. I don't put it in the 'important' box.
The reason why I hate working in theatre is the tedium of memorisation. But once that is done, then you feast on this never-ending meal. If you play it correctly, every night is fraught with very high stakes that are very difficult to find in everyday life.
When I portray Stabler, I have to shave every day and cut my hair every week! And then, I really like to change my looks for films like 'Harold and Kumar Go to White Castle' where I have the pleasure of playing the ugliest man in the world.
I'm challenging myself to reverse the hate.
You think, you become that thought. And consciousness, or the state of pure awareness, is lost.
I prefer lump charcoal over briquettes but I do use both for different reasons and different recipes and sometimes I combine them both when I really want the woodsy aroma from the lump charcoal and long, even heat from the briquettes.
I never can resist a touch of the dramatic.