Occult powers, on the other hand, are much wider-ranging. They involve the ability to change dimensional structures and the evolutionary path of sentient beings.
I'm not suspicious, I'm just careful.
Any professional knows that the flute and the piano is a boring combination. All you've got to arrive at is a kind of typical gestural crap, right? You might agree, though you wouldn't call it gestural crap
We do not hear what we hear. . . , only what we remember.
To me, I took a militant attitude towards sounds. I wanted sounds to be a metaphor, that they could be as free as a human being might be free. That was my idea about sound. It still is, that they should breathe. . . not to be used for the vested interest of an idea. I feel that music should have no vested interests, that you shouldn't know how it's made, that you shouldn't know if there's a system, that you shouldn't know anything about it. . . except that it's some kind of life force that to some degree really changes your life. . . if you're into it.
Music can imply the infinite if enough things depart from the norm far enough. Strange "abnormal" events can lead to the feeling that anything can happen, and you have a music with no boundaries.
The tragedy of music is that it begins with perfection.
If you don't know your own value, somebody will tell you your value, and it'll be less than you're worth.
One of the things about parents and children is that there is no way that you go through this without there being mutual anger.
I urge all children to listen to their mothers and fathers. My mom was helping out some kids and she didn't want to call me for all of the money; she only wanted to take care of some of the kids.
I like people wanting to know about me.