So much of the hubris that surrounded conceptual art in the 1950s through '70s was that it had … - Kehinde Wiley

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The casinos are walking out of states with at least $1 billion in their pockets to Las Vegas

Kehinde Wiley

So much of the hubris that surrounded conceptual art in the 1950s through '70s was that it had this arrogant presupposition that pointing in and of itself was a creative act. It never rigorously politically and socially analyzed the fact that the luxury to point is something that so many people throughout the world don't have.

Art, Conceptual, Luxury, People, Socially

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I think the world that I grew up in was like being in this sort of magical artistic garden.

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There is something to be said about laying bare the vocabulary of the aristocratic measure, right? There's something to be said about allowing the powerless to tell their own story.

Allowing, Right, Said, Stories, Vocabulary

Can I - do I have to be obsessed with it and proceed from that? Not always. But when I'm on top of my game, I definitely think about the way that the world sees me and the way that the world thinks about painting. You must.

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It was probably one of the things that gave me a sense of possibility and allowed for me to see beyond the small community that I existed within. You know, I was making friends with young Soviet kids. this is during perestroika. You know, there's bread lines and vodka lines. The entire social structure of what was then the Soviet Union was radically different from what we know today.

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I grew up in South Central Los Angeles, where people are in cars.

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