We put our faith in love.
Having been in front of the camera just a couple of times, I'm empathetic, because it's very disconcerting. Someone shuffles you off to the trailer; you sit there for eleven hours wondering what the hell's going on.
Someone comes and drags you in front of the camera, and they're already saying, "Okay, we got it. Moving on. " You get one or two takes. So it's a tough job.
I'm used to doing a lot of dolly tracks.
I really don't know where the independent fits in anymore when twenty-five million dollar movies are considered straight-to-video fare. We're like penny postage stamps.
I wouldn't want to put myself up for something that I didn't think I could do a good job on. I wouldn't to direct material I didn't feel I could serve, but I don't have anything against doing bigger pictures.
A lot of people live with no apparent means of support. I kind of envy the musicians up there. You're down here, busting your ass in Hollywood, and it's like Lily Tomlin's joke about the rat race - all you prove in the end is that you're a rat.
My mother said to me, 'Why do you have to call yourself a dyke? Why can't you be a nice lesbian?' 'Because I'm not a nice lesbian, I'm a big dyke. '
If you ask me the image of Latin America, there are sorne countries which oppress their peoples much more, and among the less - least oppressive, among those with which we could have perfectly normal relations without any difficulties - we could have Uruguay, Chile, maybe Costa Rica. But the U. S. . do not permit us.
Excuse me if I'm clinging on to life, but my parents wove me from tight thread.
When I was filming 'The Haunting Hour', my co-stars Emily Osment, Brittany Curran and I paid a visit to a haunted house - all dressed up as vampires! We really confused the workers.