Our perception of songs that we've written. . . the meaning changes from day to day. . . to whatever stage we're at in our life and careers.
I'm gonna go live in a cave, just completely live in my interior world.
One person's craziness is another person's reality.
Live people ignore the strange and unusual. I myself, am strange and unusual.
Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.
Visions are worth fighting for. Why spend your life making someone else's dreams?
For me, fantasy has always been a means of exploring reality: it explores the fact that your internal life, your dreams and the weird images and the things that come to you are things that are actually important tools for dealing with real issues.
Differences of power are always manifested in asymmetrical access.
For the most part I've been focusing on my knees, trying to keep those as good as possible. I'm 100% now, you know with rehab and rest and I feel great. As far as training and the routine I get up and bike for awhile, and go in and have a great leg day, and get a full day in at the gym and try to improve.
On another level this film talks about that. We had tremendous freedom while making this film. We never thought about marketing. It wasn't a film made to sell merchandise or products or to reach millions of people around the world. It was a film made to say what I really felt.
We face the delicate question of the diplomatic fencing to be done so as to be sure Japan is put into the wrong and makes the first bad move. . . . The question was how we should maneuver them [the Japanese] into the position of firing the first shot.