Fortune truly helps those who are of good judgment.
When I was fifteen I believed that sex was nearly the same thing as softball.
that crack of the bat against a ball has been my mantra, a sound I hear in desperate moments, at times when I crave total satisfaction, a sound I hear over and over when I want something very badly but can't express what it is.
About writing I learned that always, always, always it's necessary to haunt your settings. I'm a big researcher. All my fiction is based on tons of digging. But the vital importance of actually traveling to the settings of a novel really hit me. And it's not just the setting details, not just the visuals and other sensory data, that will pop. You'll find surprising clues that swerve your story in whole new, deeper, surprising, more organic ways.
I completely agree that place is the most emotionally resonant aspect of a story. Our environment affects us every bit as much as our relationships with other people. I love work that recognizes that.
I love my work. What's more fun than playing with imagination? I also believe storytelling is the most powerful way people communicate with one another, interpret our lives, share our dreams, even form our futures. So when I sit down to write every day, I keep the fun, and also what I consider a large cultural project that connects people, at the center of what I'm doing.
My job is to tell good stories, convey meanings, invoke emotion as well as I can. I'd rather be doing that than anything else.
I played a lesbian reporter in 1964, who was incarcerated, and ended the series as a 75-year-old woman. And then, I was a witch blinded by acid who became the Supreme, and took my mother's energy and life, so that I could live and she would die. And then, I was conjoined twins. And then, I played a heroin addict.
I love playing. If it was down to just that, it would be utopia.
Once the bear's hug has got you, it is apt to be for keeps.
Create your future from your future, not your past.