Tomorrow-drop that word from your vocabulary! Tomorrow does not exist, it cannot exist: it is not in the nature of things. Only this day exists.
Fang was going to kill me. And after I was dead, he would kill me again.
I blame Jeb for letting you be such a smart aleck. ” I stared at her. “I blame you for altering my DNA! I mean, I have wings, lady! What were you thinking?
Yeah,” said Iggy. “But what now? Let’s do something fun. ” I guess being on the run from bloodthirsty Erasers and insane scientists wasn’t enough fun for him. Kids today are so spoiled.
Do I open it? Do I open it? Of course I freaking open it!
My life would never contain a convenient, pain-saving plan when it could stretch a problem out into an endless agony of uncertainty and torture.
What are you doing in there, waxing your mustache?” Iggy yelled, pounding on the bathroom door. I yanked the door open and pushed him backward hard, making him stagger. “I don’t have a mustache, you idiot!” Iggy giggled and put his arms up to protect himself in case I punched him. “And you know what?” I added. “You don’t have one either. Well, maybe in a couple years. You can always hope. ” I left him in the hallway, anxiously fingering his upper lip.
The power of the voice in rap is about the expression of truth, rather than the expression of some kind of artifice. Landays, they're about love and pleasure and oppression and levels of oppression within a family. And because of that, I think rap music is probably closely related.
The two principles referred to are Authority and Liberty, and the names of the two schools of Socialistic thought which fully and unreservedly represent one or the other of them are, respectively, State Socialism and Anarchism. Whoso knows what these two schools want and how they propose to get it understands the Socialistic movement. For, just as it has been said that there is no half-way house between Rome and Reason, so it may be said that there is no half-way house between State Socialism and Anarchism.
The brain is closer to the skull.
The psychological detective story in "Equus" made Peter Shaffer's name as a playwright. But it was his next play, "Amadeus," that cemented his reputation, largely because of the movie version. Another battle of wills, it was the story of composer Wolfgang Amadeus Mozart seen through the eyes of lesser composer Antonio Salieri.