There's one thing which I hate about color films. . . people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.
Everybody has the right to express what he thinks. That, of course, lets the crackpots in. But if you cannot tell a crackpot when you see one, then you ought to be taken in.