Whenever I'm home, I haven't got any makeup on. But even in the studio, before I do vocals, I put makeup on.
I do not dislike teaching when the boys behave themselves.
My work is largely concerned with relations between seeing and knowing, seeing and saying, seeing and believing.
Friends love misery. . . our misery is what endears us to our friends.
As a boy, I'd always had an interest in theater. But the idea at my school was that drama and music were to round out the man. It wasn't what one did for a living. I got over that.
I love that contradiction of being feminine but playing in the boys' treehouse. My whole life's been like that.